Eva brought in a pair of shoes and a Pinterest board filled with 18th century dresses and stays as her starting inspiration. Here is the final result:
Corsetry as an original foundation of ballet is often overlooked. Many of the ideals of carriage and motion hark back to the original clothing worn for ballet which was not like a modern bodice. The corset and structural underpinnings of original opera ballet costumes of the 18th century show full sets of stays underneath entire gowns with panniers. In the 19th century, the rise of Romanticism, woman dancers are able to have more freedom of movements in their corsets and tutus sans full gowns.
I love to see where gowns from our shop make their way out in the world. My client was kind enough to share some images of the lovely Wisteria in Velvet gown at her ball in Vienna, Austria. The final design has a sheer ruffle added to the bustline and flowers trailing down the skirt in continuation of the flowers on the corset.
Except for a lining for the upper back portion the loose gown is completed (this will be required since I edged the pair of bodies in bright white leather and it is showing through!). I should have lifted the mannequin so the front wasn’t dragging and looking funny – just imagine it is over a little pregnant belly :P.