Behind the scenes of me with Eva during the photoshoot :) I’m wearing the large wool and silk traveling hat I created while Eva wears the leather tricorn I made her for an indoor playful look.
Corsetry as an original foundation of ballet is often overlooked. Many of the ideals of carriage and motion hark back to the original clothing worn for ballet which was not like a modern bodice. The corset and structural underpinnings of original opera ballet costumes of the 18th century show full sets of stays underneath entire gowns with panniers. In the 19th century, the rise of Romanticism, woman dancers are able to have more freedom of movements in their corsets and tutus sans full gowns.
Breanna mentioned Marion’s article when I couldn’t find a tulle to color match the custom dyed silk fabric for The Lilac Fairy, and it was super handy. I read up on her suggestions and picked a set of 4 different tulle colors to layer to create a coordinating romantic tutu. Each layer is doubled up so there are a total of 8 layers of tulle in the final tutu. At 4.5 yards in each layer, that makes 36 yards of fabric of varying widths.